Studio Opening / Washington D.C.: Bacchanalia
- Josely Carvalho
- Mar 5, 2025
- 1 min read
I have lived and worked in many places. Home. A garage. A residency. New York, Washington, St. Louis MO., Los Angeles, Mexico City, Brazil. My computer. But two places have had the most powerful emotional impact—St. Mark’s Church in the Bowery, where The Silkscreen Project lived from 1977 to 1987. Tracajá Studio near Union Square, 1987 to 2000. For the last 25 years, I have dispersed my practice across fabrication studios for blown glass and printmaking, and conceptualized works on my computer. The statelessness of my studio allowed me to uncover less tangible mediums and genres such as olfaction, internet art, and public interventions.
In this moment of fear, fracture, uncertainty–disgust with American politics–I considered going back to Rio de Janeiro. Instead, I chose to rent a large studio in the dense, noisy heart of Times Square, where I will sit inside the chaos. My studio is open. I will keep my archive of 60 years of artworks in this space–a space for gathering, speaking, seeing. I invite all friends, artists, activists, women, and I am open to collective ideas and suggestions. I would love to have you at the opening of my studio, where I am unfolding pages of my Diary of Images and Smells, sharing artworks from my archive, and creating new work.
A new studio opening in D.C.? That’s exciting. As a PhD student who works part-time at Last-Minute Assignments, I think about all the times I dreamed of creating something from nothing. Back in college, I struggled so badly with business basics that I desperately needed help with management assignment just to understand how spaces like this come to life. Thank you for sharing your milestone. It’s a reminder that hard work and vision can turn into a physical place where people gather. Wishing you a packed, joyful opening night. You built this. Celebrate every bit of it.
Mình có lần lướt đọc mấy trao đổi trên mạng شيخ روحاني thì thấy nhắc nên cũng tò mò mở ra xem thử cho biết. Mình không tìm hiểu sâu جلب الحبيب chỉ xem qua trong thời gian ngắn để quan sát bố cục جلب الحبيب cách sắp xếp شيخ روحاني các mục và trình bày nội شيخ روحاني dung tổng thể. Cảm giác là các phần được trình bày khá gọn, các Berlinintim mục rõ ràng nên đọc lướt cũng không bị rối Berlinintim, với mình như شيخ روحاني vậy là đủ để nắm tin cơ bản rồi. جلب الحبيب
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Reading about the studio opening in Washington, D.C. felt really alive and creative, especially how it connects art with space and community energy. It reminded me of a time I visited a small student art show where everything felt very personal and raw. While studying, I once used Write My Programming Assignment during a coding task, and it felt similar to organizing ideas into something structured like an exhibition. It shows how creative spaces and learning both grow through expression and effort.